Weeknote 467: Going Global

This week I have learned: the amazing insight that Dr Mark Bloomfield has about shifting an organisation to be data-enabled. how defining a narrative to sell a story is such an iterative process. that most of my colleagues aren't "D"s ... but quite a lot of them are "C"s. (PPA, if you're wondering). In 2020 … Continue reading Weeknote 467: Going Global

51 for 50 – 1977

1977. The year of the Silver Jubilee. The year that the Sex Pistols took centre stage. It's going to be a punk classic for #51For50 this week isn't it? Nope. There's a certain class of 70s music that sticks with me from hearing it on the radio on long journeys in the back of my … Continue reading 51 for 50 – 1977

Weeknote 466: New Year

This week I have learned: My favourite App has had a great update. I might have finished all the Stollen. Changing the way in which you access a piece of software can totally change how you approach (I got a new controller for Ableton Live for Christmas). Being interviewed by Steve Chapman this week made … Continue reading Weeknote 466: New Year

51 for 50 – 1976

The Stevie Wonder albums from the 1970s are things of wonder and delight. Grown up from his "Little Stevie" days, they are complex and nuanced, political and funky. We had Talking Book at home - the cover etched into my brain with Stevie in his long robe sitting in the dust, the typography surrounding. But … Continue reading 51 for 50 – 1976

51 for 50 – 1975

So it turns out that next to no music from 1975 has permeated into my consciousness. Certainly no albums. The year before Punk, when Rick Wakeman was doing concept albums about King Arthur, I'd like to think it's because of my good taste. But there were generally acclaimed great albums by Led Zepplin, Patti Smith, … Continue reading 51 for 50 – 1975

51 for 50 – 1974

The godfather of rap? Possibly. Gil Scott Heron set the mould for bombastic, political rhyme that would be followed years later by the likes of Public Enemy. But alongside the polemic, there was also the tender. Songs like Lady Day and John Coltrane and When You Are Who You Are are simply great pop songs. … Continue reading 51 for 50 – 1974

Weeknote 465: Yearnote 2019

Well, that's been quite a year. At the beginning of 2019 I was continuing my adventures with Stamp. As the year draws to a close, I'm starting to understand the course of my adventures with RHP. The transition from free-range consultant back into full-time employee has been a welcome one. I've made some great relationships … Continue reading Weeknote 465: Yearnote 2019

51 for 50 – 1973

The first artist on this list that I’ve actually seen perform live, Herbie Hancock first came into my field of musical view from his crossover hit Rockit in my hip hop-obsessed early teens. In my twenties, occasionally getting the chance to DJ chill out rooms at the hard house nights that friends ran in Camden, … Continue reading 51 for 50 – 1973

51 for 51 – 1972

None of these early 1970s albums are ones that I actually remember from the time. If I know my mum, most of what I would have been hearing would have been Radio 1. I came across Nick Drake on a compilation album I picked up in the late 1990s and became somewhat captivated by his … Continue reading 51 for 51 – 1972

Weeknote 463 – Twickers

This week I have learned: The haka, whilst standing pitch side at Twickenham That decarbonisation is a systems-thinking challenge That the problems always sit at the boundaries That a constantly crashing PC really buggers up a great interview That I've pretty much given up on both football and politics Next week: a statement of intent … Continue reading Weeknote 463 – Twickers